Demoing Questions And Answers
Sunday, October 26th, 2008A lot of people email me questions about my recording process after I post a demo, so I thought that I would write an entry about it in hopes of answering some of those questions.
First let me say that a decade ago I didn’t even demo songs at home, I just wrote them and continually played them until they were either performed, recorded, or demoed in a studio. Prior to the business imploding, there was a time when you would actually demo material in studios, as was the case with the songs on Beautiful Midnight for example. In fact, they were demoed in the exact same studio that the record was recorded in months later. Those demos also costs literally tens of thousands of dollars to record, which is ridiculous when you think about it given the quality of the demos that I can now produce at home by myself.
Anyway, that’s the past.
I didn’t start recording demos on my own until I switched to using Macs and GarageBand was released. In the beginning, like anything, I sucked at it. It’s a very simple program, but given my inherent impatience it took a while for me to wrap my head around it. So I spent a lot of time refining the process until the songs became workable outlines of the final product. In fact, when we tracked Hospital Music we just muted the drums and Pat Steward simply played along to the demos for the most part. On a few songs that didn’t happen, but on most of them it did. But that process took a few years and a lot of trial and error to master – and again, we’re talking about a very rudimentary program here, something that is nowhere near as complicated as Pro Tools HD or Logic Pro, both of which are very expensive and come with manuals thicker than telephone books.
All of that said, let’s start with the program that I use.
GarageBand
GarageBand comes standard on every Mac as a part of iLife. Over the years they have made a lot of improvements, and have also released what are known as Jam Packs, which provide countless tools and sounds with which to work. Of all five of the Jam Packs available the only one that I do not have is the World Music one.
Besides these additions, I don’t use any other programs or plugins when I record – everything is done in GarageBand, from guitar and bass sounds to effects.
Now, if you’re seriously thinking about using GarageBand as a tool with which to demo, and want a wide variety of sounds with which to work, then I highly suggest getting the Jam Packs, especially Rhythm Section and Remix Tools. Personally, I couldn’t live without the Symphony Orchestra pack, I use it all over the place. In fact, there wasn’t a single live string on all of Hospital Music. All of the strings were played on a keyboard using GarageBand sounds that I just messed with here and there.
Drums
One of the toughest things to master is the drums. While GarageBand comes with countless loops, using them is rather pointless if you’re working on something that requires beats to change to support original arrangements. That said, you’re left with using a keyboard and your fingers, which is challenging to say the least.
When I record drums, after selecting the kit that I’m going to use and making a few adjustments to the sound, I go about it in five steps.
The first is the main drum track. On this track I record kick and snare and, on occasion depending on the beat, toms. The second is the first of two cymbal tracks, which I use to record hats or ride. The third is a duplicate of the first main drum track that I use to record complicated fills. The fourth is used to record crash cymbals and the fifth, if needed, is used to record percussion, such as tambourine or hand claps. It’s important to remember that you can use a variety of different kits for each of the tracks.
Obviously you don’t just sit down and start recording drums to nothing but a click, so I always lay down a scratch bass or guitar track to click first. I then go back and play the first drum track to the scratch track. It’s important to remember though that if you play to guitar that your kick placement might change when you lay down bass, so after recording your initial drum track you might find yourself confronted with having to map out a pattern and then replace the guitar with a bass track to ensure that a proper groove is established.
After that, for the sake of ensuring that time is solidly established before recording other instruments, it’s best to record hats or ride. You can then record whatever complicated fills are required and then crashes to help establish dynamics if you like.
Once that’s done you have a base to work from.
Bass And Guitars
When it comes to both bass and guitars I simply plug straight into a USB M-Audio MobilePre that I purchased some years ago. I believe there are better ones available now, so check the M-Audio website. Beyond that, I use the different guitar and bass sounds that come in GarageBand and simply tweak them until I get what I want. Unlike most people, I have a lot of different guitars to work with, so I also have the ability to alter sounds using different instruments. But with all of the different sounds available in GarageBand you don’t need a big guitar collection to get what you need.
Keyboard
I use a small USB keyboard to play a variety of different instruments, from drums to synths, strings to piano. Again, I just tweak the various sounds until I get what I’m looking for. One trick with regards to strings is to add a touch of distortion to them and concert hall reverb. If you start there and then mess with compression and EQ you can produce some pretty realistic sounds. There are other ways to go about it as well that don’t involve using distortion, but I can’t give all of my secrets away.
Vocals
Most of the time I have my Neumann at home, which I also use on stage. Obviously, given that it’s an expensive microphone, it’s head and shoulders above what your average enthusiast is going to be using. That said, it’s been packed away with the rest of my gear for months now, so I’ve just been using a Sennheiser E935. The bottom line is that you don’t have to spend a lot of money on a microphone to get decent results.
As with guitar and bass, I simply plug the mic into the MobilePre and sing. I don’t use headphones, so there’s bleed from the speakers. If you want to eliminate bleed then just use headphones while tracking. And just like anything else, you can record them dry and then work on the sound or your can work on it as you go along. I do both, it all depends of how fast I want to get something down.
Mess Around With It
The best way to get acquainted with all of the different functions in GarageBand is trial and error. Just make sure that you’re constantly saving as you go, and that if you’re going to try something drastic that you save your changes under an alternate file name.
Unlike a lot of recording programs, which require a lot of knowledge to use properly, GarageBand is perfect for people that just want to have fun and make music without being intimidated. You don’t have to be an inspiring musician to use it either – it comes with tons of fun features that allow anyone to create music, even if they don’t have instruments and can’t play or sing a note. Even my mom has messed around with the samples that come with it and created fun little projects.
Anyway, I hope that answered some of the questions that people have asked.
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Two 3.2GHz Quad-Core Intel Xeon (8-core) processors.

